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Composer Daniel Bernard Roumain visits UVMC

Daniel Bernard Roumain

Violinist and composer Daniel Bernard Roumain is visiting UVMC classes this spring to share music and discussion with advanced strings students. Roumain is in residence at the Hopkins Center for the Arts, Dartmouth College, as the Roth Distinguished Visiting Scholar for the 2020/21 academic year. Over the course of two weeks, Roumain is teaching students improvisation and extended techniques and discussing his work bringing together music and social justice.

Daniel Bernard Roumain’s acclaimed work as a composer, performer, educator, and activist spans more than two decades, and he has been commissioned by venerable artists and institutions worldwide. “About as omnivorous as a contemporary artist gets” (NYT), DBR is perhaps the only composer whose collaborations span Philip Glass, Bill T. Jones, Savion Glover and Lady Gaga.

Known for his signature violin sounds infused with myriad electronic, urban, and African-American music influences, DBR takes his genre-bending music beyond the proscenium. He is a composer of chamber, orchestral, and operatic works; has won an Emmy for Outstanding Musical Composition for his collaborations with ESPN; featured as keynote performer at technology conferences; and created large scale, site-specific musical events for public spaces. DBR earned his doctorate in Music Composition from the University of Michigan and is currently Institute Professor and Professor of Practice at Arizona State University.

An avid arts industry leader, DBR serves on the board of directors of the League of American Orchestras, Association of Performing Arts Presenters and Creative Capital, the advisory committee of the Sphinx Organization, and was co-chair of 2015 and 2016 APAP Conferences.

DBR most recently scored the film Ailey (d. Jamila Wignot), which premiered at Sundance Film Festival in 2021. He also created the musical score for The Just and The Blind, a collaboration with spoken word artist and writer Marc Bamuthi Joseph, commissioned by Carnegie Hall; and a new work for Washington State University’s Symphonic Band, Falling Black Into The Sky, based on the work of the artist James Turrell and his “light work” at Roden Crater.